|
 |
B.Tech Minor in Mridangam
| Subject Name |
Pre Requisites |
| Mridangam - 1 |
|
| Mridangam - 2 |
Mridangam - 1 |
| Mridangam - 3 |
Mridangam - 2 |
| Mridangam - 4 |
Mridangam - 3 |
| Mridangam - 5 |
Mridangam - 4 |
| Mridangam - 6 |
Mridangam - 5 |
Mridangam I
| Practical |
- Sarali Swaras - 8
- Janta Swaras - 4
- Datu Swaras - 2
- Alankaras - 7
- Chinna Pala varusalu
- Pedda Pala Varusalu
- Practice Varusalu
- Oral practice of saptata Jathis with Talam
- Revision
|
| Theory |
- Diagram of Mridangam - Names of important parts History, Importance
- Jatis (5 Kinds) - Explanation
- Talangas (shadangas) - Symbols
- Origin of sapta talas - Description - Symbols
|
Mridangam II
| Practical |
- Oral practise of Palavarusalu learnt in Mridangam-I
- Practise of 5 Lessons, Chaturasrajati in Triputatala
(Aditala) in Madhyama kala orally and in Mridangam
- Playing techniques of different types of small finishings
- Oral rendering of Panchajatiesand also in Mridangam
- Revision
|
| Theory |
- Name of Taladasapranas - Discription of 1at three pranas i.e, Kala, Marga, Kriya
- Playing procedure of last three shadangas
- Procedure of change of jati in saptatalas
- Names of ancient Mridanga vidwans and their autobiographies
|
Mridangam III
| Practical |
- Oral practise of 5 Lessons in chaturarajati Roopakatala and also in Mridangam
- Oral rendering of panchagaties in Aditala by playing talam
- Oral practise and also in Mridangam the Taggimpu varusalu
- Sadhana varusalu, Mohara Muktayi and Mugimpu
- Playing saptatala talajatis in this Tattakara in Mridangam
- Revision
|
| Theory |
- Description of Angas, Graha, Jati pranas from Dasapranas
- Explanation of Pancha gaties
- Description of the Laya vidyas that are used in Karnatic Music
- Writing method of the lession in Notation with Tala symbols
|
Mridangam IV
| Practical |
- Oral and in Mridangam practise of Taggimpu varusalu, Sadhana varusalu, Mohara, Muktayi and Mugimpu in Chaturasrajati Rupakatalam
- Practise of 5 Lession from Misrachapu talam orally and also in Mridangam
- Some laya patterns in Chaturasra, Tisra and Misra gatis
- Practise of Taggimpu varusalu, Sadhana Varusalu, Mohara, Muktayi and Mugimpu in misrachaputalam orally and also in mridangam
- Revision
|
| Theory |
- Description of Kala, Laya, Yati, Prastaram from taladasapranas
- Procedure of manufacturing of Mridangam
- Trikala sutramu
- Explanation of Chaputalas
|
Mridangam V
| Practical |
- Playing procedure of 5,6,7,8 and 9 akshara sabdas in different Talas
- Practise of oral and in mridangam the different aspects which are learnt in previous semesters in three speeds
- Practise of oral and in mridangam the 5 lessons from Khanda Chapu talam
- Learning of panchajatis in trikalam orally and in mridangam
- Revision
|
| Theory |
- Description of Vishesha Laghuvus
- Description of Shodashangas
- Names of present Mridangam Vidwans - Their autobiobraphies
- Calculation of Muktaies in Trikalam and writing them in Notation (Tala Sysmbols)
|
Mridangam VI
Practical
- Oral and in Mridangam practise of Taggimpu varusalu, Sadhana varusalu, Mohara, Muktayi and Mugimpu
- Mridangam following for Aditala and Ripakatalas
- Mridangam following for Small varnas (Aditala)
- Learning of muginpulu in between Pallavi, Anupallavi 5/21/2011and charanam while following for Keertana
- 5. Playing of Taniavartanam in Aditalam and also playing Muktayis , Mohara, and Muktayi Mugimpulu by doing Gatibhedam
- Revision
|
Theory
- 35 Tala table and Names
- Description of ShodashangasAnuloma, viloma methods - Deshadi, madhyadi talas
- Marga, desi talas
- An essay about Mridangam
|
|
|
